2007 house rework based on felix early 90s classic includes mixes by dirty south vs tv rock, dino lenny and marco v

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

these names probably do ring a bell, since these guys have all been making their own way in house music for quite some time already.the basto mix of another place is quality house music with a 90s kristine w feel and vocals that remind of robert owens. the prom mix is club material in true axwell style, so feel the drive

rong music, the new york disco label beloved by the likes of lindstrom, idjut boys, glimmer twins, quiet village and harvey releases its first artist album. mudd (aka paul murphy) is more commonly known as a part of late 90s dub disco dons akwaaba, alongside steve fela kotey (chicken lips). akwaaba released 2 albums on idjut boys label discfunction and were championed by some legends such as francois k, ron trent and larry heard. under the mudd alias paul has released on key nu disco labels rong, noid, big bear, vertige, stranger, session, discograph and cottage. mudds signature sound is a live, song based take on the spaced out disco trip made popular by lindstrom & prins thomas/rub & tug/idjut boys & quiet village. an essential release for all fans of balearica and cosmic disco.

connect four records is the new sub-label of tic tac toe records. weve established it to focus on all the brilliant sounds in the deep minimal house neighbourhood – and after 2 very successful releases, were now ready to give you the fabulous 3rd – this time from turkish newcomer murat Özer. murat was born in istanbul/turkey in 1977 and fell in love with music at such an early age that hes forgotten when. he started out his active musician-ship in the 90s as a bassist at a junior high rock band then went on as a guitarist and finally as a drummer in various jazz & rock bands. however, since his childhood, bands like >depeche mode<, >tears for fears<, >spandau ballet<, >human league< and such have always drawn his attention towards electronic music

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

ramiro nestor works ultra flava into a banging 2007 funky house affair on the flip jakob carrison gives the early 90s anthem give it up by the goodmen a 2007 treatment

massive 2007 remake of felix early 90s hit !!

nice price deal !!! passions was formed in the summer of 2006 by ben deitz, after attending a rave in berlin. passions reside in brooklyn, ny, ny. passions has between 2 and 5 members at any given time. while ben deitz is the only band member who will reveal his name and face, each member of passions brings a unique history to the band. from deitzs being mentored by a former member of snap in high school, to other band mate s experiences in the the early 80s la punk scene and practicing chaos magick. all of passions, however, share a love of dance music, from 90s hardcore, to electro-house, to grime and anything in between emergency is a punk electro stormer climbing to the max thanks to a huge funky bassline and addictive vocals sung by star eyes. the reach-for-the-sky construction leaves you no chances. melodic as hell, it will no doubt catch all the ears. passions is what happens when you stop controlling yourself. passions will not protect you from what you want. if you wake up everyday and listen to this song, you will become a millionaire. we guarantee it

nice price deal !!! fantastic slice of the smooth vocal gear that sees hollands hardsoul teaming up with ron carroll mixes come from greg & jeroenski, spiritchaser and ron carroll himself

pete z is the most popular keyboard player of uk disco scene sine mid 90s. foolish felix is disco dub dj and has released from eskimo as well his own label >synic<. their sound is very special, deep spacin disco dub to minimal organic influenced house

the classic song, >miranda< which hasn t been available on wax in over 10 years, finally resurfaces with new mastering and a new package. this song was originally released as >untitled< from the first convextion release in history (matrix 1) the song was featured on a dozen compilations championed by derrick may, juan atkins, underground resistance, felix da housecat and many others. one of the most sought after and beautifully composed works to come out of detroit in the 90s. played by everyone across the globe, luminaries such as jeff mills, laurent garnier, kenny larkin, carl craig, chain reaction crew, dj rolando, swayzak, mad mike banks, james pennington, felix and countless others… if you are a fan of basic channel or carl craig this release is one of the most important pieces to the puzzle that is, detroit techno. one of the most sensational releases in detroit history, a masterpiece. convextion s releases have been among the deepest, hypnotic, soulful, mysterious, epic and lastly, most sought after releases in detroit…. brand new remixes by detroit s own deepchord, psykofuk & echospace (deep chord & soultek)

bastian heerhorst and patrick meissner from hamburg, first met each other in the end of the 90s by their common love for graffiti. inspired by the hamburg night live, they decided very soon to work creatively together, also for their music productions. because of bastians long time experience in electronic music and the revolutionary development of the virtual instruments, the two guys were fast able to obtain quite dancable results, also with a small budget. begun with the rather modest possibilities of a 4-tracker on the amiga and the first live-acts with a groovebox, bastians liking to produce and to experiment with all possible styles grew. since also patrick came in contact with electronic music in hamburg s scene already early, it was somehow predetermined that in the future not only walls, but also dancefloors gonna be rocked. the project >heerhorst & meissner< was born and with kompass musik a label was found, which was courageous enough to publish the first tracks of duo…

great follow up to their house club hit killer. again very clubby, surprinsingly fresh & electro house tune based on technotronic s early 90s hit get up. will be a massive hit! super tune!!

5th part of the highly successful compilation series

flower is inspired from 90s techno ... dark detroit style b side combine acid stuff with housemusic ... jay haze brings house and techno into the future

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

massive 3 tracker a side feat a deep tech track with cool catchy synth riffs flip over for the very old school sounding arch and the 80s/90s flavoured murmur a must have

his releases on the legendary clear label have secured cornwall based producer david kempston a.k.a. clatterbox a cult following during the 90s. now the man is back is back for good, having dropped the hip-hop references from his style in favor of cutting edge sci-fi electro

feel good (tv=off) sounds like an hommage for the 90s filtered house thing, as hes a true lover of the roule imprint, but its 2007 electronic tech house music. shinichi osawa from mondo grosso, tokyo, has made a special edit for the song (remember his edit for christopher just popper)

philippe b is back again and as always releases the ultimate club hit. very limited white label release. 2006 re-interpretation of this classic club hit originally produced by david morales in the 90s. check this one out..

fabrizio and marco d arcangelo share their love for synth generated music. fond of electronic music since the british new wave invasion of the 80s, the two brothers were keen on embarking onto early experimental music through the aid of affordable samplers and pcs. in the early 90s they joined dj max durante in the asu project on hot trax, a hard techno venture which saw the release of three eps, culminating in their live act at the zurich energy 93. in the following years, two deliberately distinct projects were born, centuria city and automia division, dividing the techno and melodic edges

the restart of the legendary evolution/universal language label! the first 3 mind blowing releases (re-mastered) and presented as a limited 3x12 package (the reload ep, the autoreload ep and the biosphere ep). mark pritchard and tom middleton released in the early 90s some highly limited records on their evolution label which later became universal language. all records were groundbreaking releases and tom and mark continued to produce many great records as reload, global communications, jedi knights, harmonic 33 and several other projects. these 3 records represent the beginning of the electronica movement which they started with like minded artist such as aphex twin, the black dog, autechre and some others. deep raw and forward thinking techno in the same style as aphex twins early releases, as one or balil. mark and tom were strongly influenced by derrick may, juan atkins, carl craig, kraftwerk, mike dunn and richie hawtin to name a few and they produced some amazing records which still are not outdated almost 15 years after their original release. among their fans of their releases is a huge list of big names who all recognized the quality of the music made by these two guys. this is a great package with all three of the ultra rare original releases together. must have

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

new label on the map comes with an efficient club house title using the famous in my house vocal sample from the early 90s.already huge reactions from the promos.

the fourth 12 is a best of sees some of his mid 90s dark comedy material, like track and chasers. both these tracks were initially released on his own art of dance label as a 12 inch only. if this is not enough to excite you, we also included another dancefloor bomb entitled >dark disco<, which was released more recently on a demf cd only and is now available on 12 inch. another slice of essential techno history!!

aesthetik s second release is by the hands of belgian artist ozka. previously known under his moniker >kaoz< and from his collaboration with the 6th sense approach crew, his first releases appeared in the 90s on labels like reload and rotation. after a few projects for experimental labels tibprod and filament, he rises again and delivers 4 killer techno tracks, gripping rhythms, deep and seductive sounds, a perfect balance between minimal structures and detroitish sounds. a powerful weapon for any techno dj and a direct hit timebomb for any dancefloor

bass invaderz fourth release sees a debut pairing of tear out regular and label boss distortionz with hardcore producer and promoter enzyme. having seen releases grace labels such as hardcore beats, mechanoise and unstable, distortionz has earned himself a reputation for breakbeat of the harder variety, with enzyme known for his involvment in the early 90s hardcore scene with his efforts now firmly directed towards the hardcore breaks and nu rave scenes

montreal born native alex hender started his career in the mid 90s. after watching one of his friend djing at a high school dance party, he decided to buy a pair of turntables, a mixer and began shopping some records. its in a record shop,at the age of 15, that he discovered the sound of new york and chicagos house.alex has been a resident in some of montreals most famous clubs. the legendary limelight was his first home. he also played at redlite, gravity and a lot of other gigs around the city. being a buyer for years in a record shop, alex got in touch and upfront with whats hot & whats the next big thing.his musical style got a lot of influence from the funky chicago stuff and the dirty german minimal tech sound.since then, aside from djing and collecting an amazing amount of vinyls, alex focuses more into production, to reach another step in his career. we can only expect greater things to come from him in the future

the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

brandnew remixes of the this release from the early 90s by dj puku and t & f and deep groovers

released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking

cool rework of the huge beloved hit from the 90s

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

after a long while heres a new release from clairaudience with music provided by label head anthony nicholson aka miquifaya. taking a bit of a departure from anthonys standard deep tribal sounds he seems to go back in time to 90s chicago conjuring sonic images of classic labels prescription and balance. the a side keeps things moving with a grunty scat and grind of the organ while the flip stays straight chuggy with spacey synths and detroit esque strings. a perfect move forward for that deep soulful tech sound dominating of late

starting his musical career at the age of 12, sharooz began playing guitar in punk bands in his native northern ireland during the mid-90s, before beginning to produce dance music and start djing around 1998. his first gigs took the form of live pas, playing alongside the likes of king unique, peace division and inland knights at the legendary smokescreen free parties. soon sharoozs djing profile began to rise, leading to gigs at space and cafe mambo in ibiza, turnmills in london and passion in coalville to name but a few. over the past 7 years sharooz has djed alongside such luminaries as pete tong, marshall jefferson, terry francis and even shaun ryder

the fourth release on anfnotor features yet more top-drawer electronic emissions from cledus snow and aleksandr jurczyk two individuals based in glasgow. their sound is of late nights in clubs and early mornings under the sky with the party scene of glasgow evident in various distinct ways. cledus snow is the latest project from callum campbell, who has risen from the sound of the late 80s and early 90s heavily influenced by machines such as the dx7, and musically by the tones and textures produced by detroit, eindhoven and london. since moving back to glasgow aleksandr has been involved in new musical projects and has started to carve a niche with his unique electronic sound. his latest offering sees him assault the dancefloor with an italo bassline fuelled late night thumper. so far this 12 has received praise from mark bell aka lfo, erwin van moll aka max 404, $tinkworx, kenny larkin and kurt baggaley aka scape one

this time, still with the same >electronic pop< feelings and new waves, lets get back in the 90s! here s the follow up 12 inch inch of the already well known shiny grey. pavle kovacevic and raphael soudre are the two parisian artist discovered by bob sinclar. >heaven can t wait< & >i m a dreamer< comes right after >why< their first single which included a sample of >sweet dreams< by annie lennox and dave stewart

in thrall to all that is brightest and best, highest and indeed lowest and most primal in british youth culture, klaxons see no distinction between celebrating their love of the madness and melodies, the ecstasy and euphoria of early 90s hardcore rave with making some of the brightest, sharpest guitar music around today. the band describe their sound as josef k-meets-baby d with a twinkle in their eye, surely the first to mention those names in the same sentence. >we are about fusing the things we listen to constantly,< says bassist jamie reynolds. >its about accessible pop music. we re trying to take it back by wanting to make a brilliantly overblown pop record!< single of the week in the nme, the video is hammered by mtv2 and snared the band sessions on xfm and radio 1.the remix package is awesome,mentionning the van she remix which is the tool for the cool dj this summer

sleepy hollow was obviously inspired by the movie of the same name. it is one of my favourite pictures by tim burton and i really like the dark, creepy atmosphere of it. the bass-line recreates this mood to an extent that it scares me, makes me shiver. i mean, really! regenerate has such a strong techhouse vibe to it, again reminiscent of the early 90s and a very strong groove. excellent percussion programming and modulation by stephan. this one builds and builds until it completely gets you. personally i think all due respect is the most laidback, reduced track on the album. we came up with this distinctive, monotone melody/bass and i loved the feeling right away. definetely the kind of music that i like to play on a sunday after hour session

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it

woody transformes it into a classical minimal-tech hymn.the ultra dry start out of the 3 channels mix first lose its way and then found itself back again into a net of confused and languorous deepness..in retrospect to the 90s, elef tsiroudis is a producer of modern dance music. without any crabwise the direct acces is always the dancefloor. warm tranceparts and the reminiscence of an entire party decade, team up to let this remix be an absolutely killertrack..

gez varley gained fame in the early 1990s as the other half of the seminal electronic duo lfo.. gez varley gez left lfo in the mid-90s to concentrate on his solo projects, which stylistically have varied from minimal techno to tech-house. not only recording under his own name, gez has also been behind the artist aliases g-man.. heres gez varleys latest twelve-inch masterpiece with strong detroit presence and some sleeparchive thrown in - however, these are just made for the more advanced dancefloors !!!

first 12inch on the re-launched farside label run by ingo sänger (westpark unit). matt flores follows up his big 12inch for compost s black label, once more he has worked with tyree cooper. bass heavy house in between early 90s house, detroit sounds..

ed gusto green should need no introduction as the man who brought uk dance music one of its biggest hits of the 90s with the still played discos revenge here he takes the well known sample from odyssey going back to my roots but twists it into a minimalist houser on the flip polish producers and remixers wawa thrill dancefloors all over the world and their remixes here are no exception